In keeping with the recent theme of long-term thinking and deep-time narratives, the cultural historian William Irwin Thompson (W.I.T.) sketches out a compelling mind-jazz mosaic in his article Natural Drift and the Evolution of Culture.
It provides a model for the Evolution of Consciousness over the past few million years. This is a notoriously tricky endeavor because, as Thompson writes:
“It is one thing to talk of the evolution of the small Ice Age horse shown on the walls of Lascaux to the modern long-legged race horse, but quite another to talk of the evolution of Renaissance perspectival painting into the abstract landscapes of Kandinksy and Pollack.”